BY BOBBI

The practice produces original artworks developed through a material-led and considered studio process. Each work is approached with attention to surface, composition and balance, resulting in pieces that are grounded, restrained and responsive to space.

VIEW PROJECTS

WORKS

An exploration of water as material, atmosphere, and time made visible. The work considers how water moves, settles, erodes, and reshapes surfaces, not as landscape, but as behaviour. Across the paintings, states of transition are central, where texture records pressure and duration, and softened gradients introduce stillness. Each piece balances movement and restraint, allowing complexity to settle into quiet equilibrium.

STUDIO

Art-making is an ongoing and central part of the studio’s practice. The work explores rhythm, balance, and restraint through material-led processes, with particular attention to texture, tone, and surface.

The practice is informed by natural processes, especially the ways water alters, erodes, and redefines material over time. These ideas are translated through abstraction, where surface becomes a record of movement, pause, and accumulation.

Consideration is given not only to the artwork itself, but to how it exists within space. Scale, negative space, and surrounding architecture are integral to how each piece is experienced, allowing the work to function as both object and atmosphere.

Artists Statement

The work is shaped by a long-standing relationship with the coast, a place of return and familiarity throughout my life. Time spent by the sea became a constant, a way of measuring change, stillness and movement, particularly during periods when other structures felt unsettled. Making has always felt instinctive, a place I could return to without needing to explain myself.

Growing up, summers were spent by the coast in British Bay, County Wicklow, a place my granddad established and where my family has returned year after year. The sea became grounding and quietly constant. While my younger years, particularly at school, were challenging and often shaped by anxiety and disconnect, my life during that time was measured in summers, in time spent by the water. That rhythm stayed with me.

Later, during some challenging periods of adulthood, returning to the sea and to painting felt like a reawakening. With space to think and create freely again, I began to paint instinctively, without expectation. Since then, my work has continued to circle the coast, erosion, movement, horizon lines, and the tension between control and letting go.

The act of painting has become meditative. Through texture, light and shadow, surfaces are allowed to build, shift and soften, reflecting the way the sea is never still, yet never chaotic. The work is driven by process and attention, and by the quiet balance that emerges when time is given space.

The hope the work offers a sense of pause, a subtle sensory experience that allows others to connect to their own memories of the coast, or simply to moments of calm, familiarity and reflection.

GALLERY

WORKS

Pieces may exist as part of a series or as singular works, with emphasis placed on cohesion and clarity across the wider body of work.

Materials, formats, and scale vary according to the nature of each piece, though all works share a consistent visual language rooted in restraint, material presence, and quiet tension.